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The "Tao" here is the strategic intention in BLM, the "heaven and earth" is the content of market insight, the "will" is the talent, and the "law" is the organizational structure and process. In fact, more than 3,000 years ago, our old ancestors put forward similar ideas, so I have been thinking about whether Harvard professors and IBM experts have studied Chinese traditional culture more deeply and thoroughly than we do. Will BLM's past life be our "Tao, Heaven and Earth Will Dharma"? From Sun Tzu's Art of War 3,000 years ago to IBM's leadership promotion model to Huawei's strategic planning tools, BLM has undergone three transformations. It is also based on this that I embezzled the name of a popular play a while ago and named this article 'BLM's Third Generation and Third Generation'. Ha, don't take it too seriously. This is only my personal imagination.三千年前，天资绝顶的白秋然被青冥剑宗创始人青冥道人收为门徒，开始修仙之路。三千年后，白秋然的师尊青冥道人飞升成仙，大师兄渡劫失败身死道消，就连最小的小师妹的六世孙都筑基成功，学会了御剑乘风而行。而白秋然经历三千年的苦修还只是停留在炼气期，虽然经常被人嘲笑一直无法突破，但其实白秋然炼气期已达第六万六千六百六十四层的境界，个人实力非常强大，无论对手是仙神还是魔怪都能轻松取胜。白秋然一直没有放弃继续努力寻求突破，在这个过程中结识了不同类型的几位女主，最终找到突破境界之法，得偿所愿、成功筑基。张杨夫妻、赵耘夫妻和黄豆等人也一直跟随，直送到南华门外的十里长亭。《蚵丰村》是导演龙吟的首部长片作品，讲述滨海渔村的故事，全片以16mm底片拍摄，除了呈现沿海渔塭的独特美感，也试图捕捉传统村舍与寺庙信仰幽远的在地气息。一如台湾岛本身杂揉多样的海国特色，这部片邀请到了不同背景与文化底蕴的创作者，包括俄罗斯摄影师Aley Elagin、捷克声音设计师Vojtech Zavadil、马其顿灯光师Vladimir Dimoski等人，卡司则由「国民老爸」喜翔带着新生代演员林禹緒、陈莘太同台飙戏。男、女主角设定是对中年夫妻。本剧故事将中年人面对父母年迈、夫妻空窗期、小孩青春叛逆期等家庭社会问题。