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五名拥有同样胎记的女子准备揭开有关她们过去的真相，结果发现了一系列悲哀的谎言，而编织这谎言之网的是一位有权有势的政客20世纪30年代的大上海，顾家四兄弟携手进军影视界。顾家老幺顾延枚，为了兄长们的事业，跟随三哥南下新加坡开拓南洋电影市场，从此注定其一生与电影业的不解之缘。恰逢二战，时局骤变，顾氏兄弟将制片基地迁至香港。战争结束，香港百废待兴，兄长们将香港影厂托付给顾延枚。面对今非昔比的电影市场，顾延枚始终视观众为自己制作影片的源动力，终于造就顾氏兄弟电影成为香港第一家，不单令香港影圈星光闪耀，更成亚洲一时之冠。其声望日隆，被尊为“华语影视大亨”。因多年来乐善好施，热心公益，顾延枚也成为世界公认的大慈善家。舅舅是不是该拜见你？嬉笑间，刘黑子、马叔、吴成、王忠等人都上来见过了。李慧泉为了哥儿们意气打伤人而“栽”进公安局，劳教期满后被释放回家了。他神情冷漠地走进铁道边房屋低矮的家，久久地凝视着母亲的遗像。热心的邻居罗大妈和民警小刘帮助李慧泉办了个体营业执照，他开始了自食其力的生活。新春佳节，他仍在屋里整修三轮车。他旧日的朋友约他去咖啡厅一聚，他因此认识了业余歌手赵雅秋和行踪诡秘的倒爷崔永利。由于门外一群小痞子的纠缠，演唱完的赵雅秋希望有人送她回家，于是崔永利请李慧泉代劳。李慧泉开始当上了赵雅秋下班的护送者，一次又一次的夜送赵稚秋，使李慧泉的心逐渐靠近了这个豆蔻年华的少女。然而，随着时光的推移，赵雅秋的名声渐起，崇拜者、追随者愈来愈多，最终，李慧泉的“职务”被赵雅秋身边的各种各样的小伙子所取代，他怅然若失。该剧为网络剧《后遗症》的续集，为恐怖剧。讲述自以为是童话里公主的少女和无意闯入的少女卷入深山神秘房屋的诡异事件，并尝试逃脱的故事"I am from Beijing, Ancestors raised dogs for the imperial court, The dog was not the pet of the nobles, Even royalty racing dogs, One by one, They are very expensive, In terms of seniority, it is a matter for my great grandfather's generation to move forward. Therefore, the family has inherited dogs from generation to generation, I have also saved up a lot of ancient books and materials in this field, Some of them were found and burned in the period of breaking the Fourth Old Age. Also because this was criticized during the Cultural Revolution, But it doesn't matter, The key is that I can look at dogs. I have been growing up in this environment, so I have had special feelings for dogs since I was a child. You see, unless I have to use it, for example, now, otherwise I never say the word "dog" but only "dog", because this is a kind of respect for dogs. This is like describing that it is normal for people to talk about "a", that is, to talk about "only" or "bar", that is to swear.