(6) Having engaged in at least 10 fire safety assessment activities for industrial buildings and civil buildings with a single building area of more than 30,000 square meters in the three years prior to the date of application;
显然，在他的心目中，西楚国的威势还没有丝毫的下降，还是那个别人惹不起的西楚国。
我亲爱的失败者之怪物浪漫
2. About Exploding Arrows and Arrow Rain
秦淼陪着小葱等人说笑一番，看看天色晚了，就起身告辞。
东晋末年，王朝动荡，诸侯割据。相传只有左持青鸾镜，右握离殇剑者，方可统一天下。青鸾镜与离殇剑本为龙教宝物，却因为战乱遗失。龙教圣女紫魅因练功入魔，被自己的内力反噬重伤，命悬一线。紫魅临死前，前交龙教唯一代传人元清锁，告知她青鸾镜与离殇剑的秘密。紫魅最后叮嘱元清锁，这两件宝物切不可落入奸人之手，只有真龙天子才配拥有，否则将天下大乱。元清锁为了寻找宝物，假扮北周司空夫人元氏的外甥女李娥姿，以家道中落为名，带着家族信物，投奔北周司空府。在此期间元清锁分别结识了兰陵王高长恭和北周宇文邕，各自发生了一段感情纠葛，元清锁最终帮宇文邕成就了帝王霸业，而选择离开北周与兰陵王高长恭共生死。
玉米揉揉眼睛，对怀里的小灰道：咱们下去吧，趁着早上好赶路。
Tacit knowledge
根据沃尔特·特维斯的小说改编，这个成长故事探索了天才背后真正的代价。20 世纪 50 年代末，年幼的贝丝·哈蒙（安雅·泰勒-乔伊饰）被遗弃并托付给肯塔基州的一家孤儿院。她具有惊人的国际象棋天赋，同时对政府提供给孩童的镇静剂上瘾。贝丝被自己心中的恶魔所困扰，在药物和痴迷的双重作用下，她变成了一个令人印象深刻、技艺高超且富有魅力的弃儿，并决心打破男性主导的国际象棋界建立的传统界限。
第二季结尾，蒂娜终于对贝蒂说出了大家期待已久的话。可在本季故事中，贝蒂与蒂娜的分歧加深，尤其在抚养小安的教育问题上更是争吵不断。贝蒂的姐姐凯特（帕姆·格里尔 Pam Grier饰）和小安的男保姆擦出火花。爱丽丝对德纳与莱拉（劳伦·李·史密斯 Lauren Lee Smith饰）的复合伤心不已，却仍对她念念不忘。不幸降临在了德纳的身上——被检测出患乳癌，最终抢救无效，因病去世。詹妮与马克斯（丹尼艾拉·席 Daniela Sea饰）相爱。可马克斯却注射了雄性荷尔蒙，并且不满詹妮在别人面前提到她变性。夏恩与卡门正处在热恋中，她还得到了卡门母亲的喜爱。卡门终于同意了夏恩的求婚，可夏恩却在婚礼上逃婚了……
Parental Love Episode 24
L以自己的生命为代价设下陷阱准备一举击溃夜神月，不料，多年的搭档渡意外身亡。L决定在自己最后的23天中解决渡所留下的任务。直升机送来了一箱给渡的礼物，里面竟是一个男孩——他是遭灭顶之灾的泰国小村的唯一幸存者。L从男孩随身携带的磁碟资料中得知，该事件与恐怖的杀人病毒有关。此时，少女真希带着父亲的遗物来找渡，她也是这场阴谋的受害者。追踪而来的杀手已然赶到，L带着两个孩子开始了逃亡。只剩6天了，L决定与阴谋者决一死战。
《六十天指定幸存者》在原版主要故事情节的基础上，加入了更多有关韩国国情的元素。这是一个关于政治家的故事，他突然从环境部长晋升到了总统，因为在国会上发生的一次爆炸中，排在他前面的总统候选人都罹难身亡。朴木镇原本是位科学家，如今身为政客的他必须努力融入政坛。在朴木镇代任总统的 60 天中，尽管经验不足并且不情不愿，他还是想努力揭开袭击背后的真相。
Another parent said that when his child was three or four years old, he found that his child had inattention and other phenomena, but he did not know how to solve them at that time, thus seriously affecting his child's academic performance after going to school. "The children have also developed a rebellious attitude towards our discipline and have gradually become naughty children in the class. We are especially anxious and have been recommended to enroll in the thinking ability training course."
When his father came to play, he was angry with his father: "why did you go there then? Why don't you start a business in the sea?" If you had gone to sea in those days, would my family be like this? "A few days ago, I met him in the elevator, and he sighed," Now the class is solidified, and it is difficult for poor families to have a son. "It is true that it is difficult for poor families to have a son.
盛如曦（舒淇 饰），35岁的优质白领女性。伴着事业有成的同时，感情生活上的空白却成为了家人朋友间乐此不疲操心的话题。同样的情况还发生在盛如曦的好友汪岚（郝蕾 饰）和章聿（熊黛林 饰）身上，这三个职场精英女性面对事业和爱情的天平，面对年龄的增加而带来的身价下跌，面对催婚的父母和身旁友人的感情归属，面对各种迥异的相亲对象和无法投入的定制爱情，她们展现出了当下女性多彩的人物性格，更在这样一个剩女的境地下勇敢地表达着自己独特的爱情观。
20,000 Yuan "Out of Control" Reporter Ma Xiaotian Peng Jieyun Editor Peng Jieyun
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
