This is the basis of the opening and closing principle, and the specific content: interface-oriented programming, relying on abstraction rather than concreteness. When a specific class is used when writing code, it does not interact with the specific class, but interacts with the upper interface of the specific class.本作は江戸川乱歩の短編を映像化するシリーズの第3弾。今回は「お勢登場」「算盤が恋を語る話」「人でなしの恋」が選ばれた。演出は佐藤佐吉、森ガキ侑大、渋江修平がそれぞれ担当。満島は妖艶な悪女、地味な事務員、嫉妬に狂う若妻という3人の女を演じ分ける。満島は3人のヒロインを演じるだけでなく「お勢登場」の劇中歌や「人でなしの恋」の朗読、さらに3作品をつなぐ幕間映像の演出も担当している。満島は本シリーズにおいて「映像の中で遊ぶ」ことができると話し、「普通に作れば一番いいんでしょうけど。似たスタイルの作品作りが増えている中、手探りで作っていくのが面白い。監督たちの発想も三者三様でまるで違って、予期せぬ発想が出てきたり。どういう撮り方をするか想像できないんです」と目を輝かせた。なお「お勢登場」には宮藤官九郎、「算盤が恋を語る話」には岩井勇気（ハライチ）、「人でなしの恋」には高良健吾が相手役として登場。満島は岩井との共演を「お芝居に参加する姿がピュアで、私も初めて（演技を）やった頃を思い出しました」と振り返り、また高良の出演については「一言もしゃべらない役。『その美しい骨格をこの作品にお貸しください』と（笑）。ただただ高良さんが美しいです」と明かした。进城打工的王大春长得英俊潇洒，父亲英年早逝，母亲守寡一生，将其拉扯长大。王大春长的像父亲，而母亲则很丑，所以王大春从小就很怕别人知道他有一个丑娘。王大春打工时与同在一个酒店打工的漂亮城里姑娘赵小旭相识后，由于已父母双亡的赵小旭特别注重男友及其家人的相貌，再加上王大春对赵小旭特别细心的呵护，两个人相恋了，深爱赵小旭的王大春因为虚荣心和因为有个丑娘而几次被女友抛弃的经历，使他向赵小旭隐瞒了自己的家中有丑娘的事实，说他自己也是父母双亡……Since the 1920s, the influx of Western journalists into China has been like crucian carp crossing the river, but as far as the social status at that time is concerned, no one can expect Aban to match it. Aban is naturally competitive and can't compete for emergencies in the front line, but his real advantage lies in his extensive upper-level relations. The top level of the Chinese government and the top level of Japan, the United States, Britain, the Soviet Union and other countries in China are full of his personal friends. At the beginning, the national government wanted to expel him from the country, but later, all four families took him as their guest of honor. Japan attaches more importance to the fact that the top leaders of various factions and departments in civil and military affairs are eager to break through his threshold. The Soviet Union was also interesting. While setting off a wave of criticism of Aban, it sent an ambassador to talk with him in secret and entrusted him with conveying high-level meanings. As for the United States and Britain, it goes without saying. The importance of Aban lies in the fact that his role has completely gone beyond that of a mere reporter. To the U.S. Government, he is an unpaid senior intelligence agent, providing top secret information free of charge, weighing more than any official spy. To the rest of the governments, he is a supernumerary U.S. Diplomat, and his role is often beyond the reach of U.S. Ambassadors. Therefore, between Japan and the United States, between China and the United States, and between the United States and the United States, he has to send messages frequently. As for the infighting among various countries, they should also reveal their secrets to him so that they can be published in the New York Times and confuse each other. For example, before Japan officially joined the Axis, because of the confrontation between the two factions at the highest level, some people secretly told each other the news, which made him get a global super scoop for no reason. All this, of course, depends on the golden signboard of the New York Times and its inexhaustible resources.师弟何故如此偏激，世事变化，墨翟他老人的想法……是该有些变化了。少爷陈永业无心向学，却醉心于学武，自创天下无双弥猴无敌拳拳谱。一日，他与阿德在马骝山，发现被弟文豹陷害并打致重伤的文师父，二人一切动作就像猴子父女的动态。其后，文豹找人蹂躏小敏，文怒极，以打洪一虎来发泄，最后洪被打死，文哀痛。家业、阿德与小敏在文师父突导下苦练武功「醉猴拳」，终把于海洋等为非作歹之辈一并歼灭 …Finally, 10,000 hours is only a function word. Many people who recognize death always think that qualitative changes will take place around 10,000 hours. But in fact, 10,000 hours is just an "imaginary number". Different people, different foundations and different industries need different time, some in thousands of hours, some skills need 20,000 hours and cannot be mastered.
